![]() ![]() With only five contrast settings to select in the camera, even with perfect exposure, it'll probably take a bit of Raw processing to get the best out of each image. Equally, anyone who has got used to producing mono images by converting color images, with all the selective color mixing that brings, will have to get used to pulling the correct color filter out of their camera bag at the point of capture.Īnd that is a challenge - the best black and white images are the result of a tonal response that is perfectly matched to the subject, usually as the result of extensive darkroom or post-processing work. With a true mono sensor, any overexposure is absolute - once the channel has clipped to white, there's no chance of recovery. There are drawbacks, of course - the 'headroom' found in Raw files comes mainly from the fact that bright regions have usually only over-exposed one of the three color channels, with usable data still available for the other two channels. Given the reputation of Leica lenses, this has immediate appeal. As a result, the M-Monochrom immediately trumps even the low-pass-filter-less M9 for sharpness. However, the biggest advantage is resolution - each captured pixel gives one output pixel, with none of the detail-blurring combining of neighboring data that demosaicing inevitably brings. #Flirc review isoThese two factors see the camera's maximum ISO increase to 10,000, rather than the M9's 2,500. But also, because noise isn't spread by a demosaicing process, the noise pattern doesn't appear to muddy detail. There are certainly benefits in terms of noise, mainly because all the light hitting the sensor is available to be captured, rather than just one color being allowed through to each sensor location. Removing the color filter array from the front of a sensor has several advantages. But it's not just nostalgia that makes the idea of a monochrome camera sound appealing - especially on a system famed for its (expensively achieved) high quality lenses. #Flirc review manualJust as any discussion between former film photographers will eventually come 'round to the idea of a dedicate manual focus digital camera with the large, bright split-prism viewfinder they remember from their film-shooting days, it was almost as inevitably touch on the idea of a black-and-white digital camera. As the name suggests, the Monochrom is a truly black-and-white camera, with no filter array to allow the capture of color information. However, we can't think of any of its products that combine 'fascinating' and 'niche' as well as its latest creation - the Leica M-Monochrom. Leica has long been a manufacturer happy to exploit niche markets - its M9 may be a fascinating camera to shoot with, but the company's adherence to the near-obsolete, manual focus rangefinder design, coupled with its distinctly exclusive pricing ensures its cameras will only ever be enjoyed by a few. ![]()
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